Jordan

Bruna Guedes

Husain Kothari

FRNK

Uendi Prifti

Abdul Hasib

Loughlin Sullivan

Delaney Knopp

Auriel W

Blake Molmen

Dani Shahar

Luis Javier Campos nieto

Throughout our history, humans have been captivated by mythic beasts and legendary creatures. Tales of Bigfoot, the Yeti, and the Loch Ness monster are part of our collective experience. Now comes a book from two dedicated investigators that explores and elucidates the fascinating world of cryptozoology.Daniel Loxton and Donald R. Prothero have written an entertaining, educational, and definitive text on cryptids, presenting the arguments both for and against their existence and systematically challenging the pseudoscience that perpetuates their myths. After examining the nature of science and pseudoscience and their relation to cryptozoology, Loxton and Prothero take on Bigfoot; the Yeti, or Abominable Snowman, and its cross-cultural incarnations; the Loch Ness monster and its highly publicized sightings; the evolution of the Great Sea Serpent; and Mokele Mbembe, or the Congo dinosaur. They conclude with an analysis of the psychology behind the persistent belief in paranormal phenomena, identifying the major players in cryptozoology, discussing the character of its subculture, and considering the challenge it poses to clear and critical thinking in our increasingly complex world.

I was in the middle of this book when I read of Dorothy Gilman's recent death. Losing one of my favorite authors makes me sad, knowing that there will be no more books with that voice, wisdom, and wit. Dorothy Gilman is best known for her Mrs. Pollifax series, but it was actually her other novels that I preferred. My late mother-in-law was a devoted Mrs. Pollifax fan, and perhaps I stupidly relegated the series to old ladies who liked Murder She Wrote, for I resisted reading all but the first one. I should have known better, because I've re-read many of her other books. Now I am making up for it by going back and reading the Mrs. Pollifax series from the early days. Maybe I've grown more 'old lady-ish' myself and no longer mind a protagonist in the latter decades of her life. I certainly can't seem to relate to teenage vampire stories and tiresome petulant seventeen-year-old heroines any more.This book, published in 1971, is a delight. It has a rip-roaring plot where Mrs. Pollifax is supposed to smuggle passports into communist Bulgaria in the midst of a bloody crackdown. Being Mrs. Pollifax, she manages to go beyond her simple courier mission for the CIA, and get involved with a couple of traveling American college students, one of whom ends up arrested by the Bulgarian secret police. I'm not sure how she does it, but Dorothy Gilman has the talent for making you immediately care for these characters. Perhaps it's because the observant Mrs. Pollifax cares so, without being nosy and intrusive. She is also psychologically astute. She has an intuitive understanding of others and knows innately how to deal with them. She is also very brave, as well as being at peace with her death, which she faces a number of times. I feel sure that Ms. Gilman, who suffered from Alzheimer's, had bravely faced her own. 

Mrs. Virgil (Emily) Pollifax of New Brunswick, New Jersey, was a widow with grown children. She was tired of attending her Garden Club meetings. She wanted to do something good for her country. So, naturally, she became a CIA agent. This time, the assignment sounds as tasty as a taco. A quick trip to Mexico City is on her agenda. Unfortunately, something goes wrong, and our dear Mrs. Pollifax finds herself embroiled in quite a hot Cold War—and her country's enemies find themselves entangled with one unbelievably feisty lady.

This one had been sitting on my Audible purchased shelf for a while so thought I'd tackle it. Interesting protagonist, and well-crafted stories, and one that might be better heard than read as the narrator does a good job with the voice of Madame Karitsa. Sorry the sequel isn't available as an audiobook, but I've ordered a print copy. Written in the 60's, so folks call from pay phones with urgent messages, as well as mention of a guest bring a "portable television set" to a party for a special viewing (Madame doesn't own one herself).

The New York Times bestseller and National Book Award finalist Killers of the Flower Moon is now adapted for young readers.This book is an essential resource for young readers to learn about the Reign of Terror against the Osage people--one of history's most ruthless and shocking crimes.In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma, thanks to the oil that was discovered beneath their land. Then, one by one, the Osage began to die under mysterious circumstances, and anyone who tried to investigate met the same end.As the death toll surpassed more than twenty-four Osage, the newly created Bureau of Investigation, which became the FBI, took up the case, one of the organization's first major homicide investigations. An undercover team, including one of the only Native American agents in the bureau, infiltrated the region, struggling to adopt the latest modern techniques of detection. Working with the Osage, they began to expose one of the most chilling conspiracies in American history.In this adaptation of the adult bestseller, David Grann revisits his gripping investigation into the shocking crimes against the Osage people. The book is a searing indictment of the callousness and prejudice toward Native Americans that allowed the murderers to occur for so long.

G. W. F. Hegel (1770–1831), the influential German philosopher, believed that human history was advancing spiritually and morally according to God’s purpose. At the beginning of this masterwork, Hegel writes: “What the history of Philosophy shows us is a succession of noble minds, a gallery of heroes of thought, who, by the power of Reason, have penetrated into the being of things, of nature and of spirit, into the Being of God, and have won for us by their labours the highest treasure, the treasure of reasoned knowledge.” In his introduction to this Bison Book edition, Frederick C. Beiser notes the complex and controversial history of Hegel’s text. He makes a case that this English-language translation by E. S. Haldane and Frances H. Simson is still the most reliable one.

In this extensive inquiry into the sources of modern selfhood, Charles Taylor demonstrates just how rich and precious those resources are. The modern turn to subjectivity, with its attendant rejection of an objective order of reason, has led—it seems to many—to mere subjectivism at the mildest and to sheer nihilism at the worst. Many critics believe that the modern order has no moral backbone and has proved corrosive to all that might foster human good. Taylor rejects this view. He argues that, properly understood, our modern notion of the self provides a framework that more than compensates for the abandonment of substantive notions of rationality.The major insight of Sources of the Self is that modern subjectivity, in all its epistemological, aesthetic, and political ramifications, has its roots in ideas of human good. After first arguing that contemporary philosophers have ignored how self and good connect, the author defines the modern identity by describing its genesis. His effort to uncover and map our moral sources leads to novel interpretations of most of the figures and movements in the modern tradition. Taylor shows that the modern turn inward is not disastrous but is in fact the result of our long efforts to define and reach the good. At the heart of this definition he finds what he calls the affirmation of ordinary life, a value which has decisively if not completely replaced an older conception of reason as connected to a hierarchy based on birth and wealth. In telling the story of a revolution whose proponents have been Augustine, Montaigne, Luther, and a host of others, Taylor's goal is in part to make sure we do not lose sight of their goal and endanger all that has been achieved. Sources of the Self provides a decisive defense of the modern order and a sharp rebuff to its critics.

This is the first time one of the most important of Lukacs' early theoretical writings, published in Germany in 1923, has been made available in English. The book consists of a series of essays treating, among other topics, the definition of orthodox Marxism, the question of legality and illegality, Rosa Luxemburg as a Marxist, the changing function of Historic Marxism, class consciousness, and the substantiation and consciousness of the Proletariat. Writing in 1968, on the occasion of the appearance of his collected works, Lukacs evaluated the influence of this book as follows:"For the historical effect of History and Class Consciousness and also for the actuality of the present time one problem is of decisive importance: alienation, which is here treated for the first time since Marx as the central question of a revolutionary critique of capitalism, and whose historical as well as methodological origins are deeply rooted in Hegelian dialectic. It goes without saying that the problem was omnipresent. A few years after History and Class Consciousness was published, it was moved into the focus of philosophical discussion by Heidegger in his Being and Time, a place which it maintains to this day largely as a result of the position occupied by Sartre and his followers. The philologic question raised by L. Goldmann, who considered Heidegger's work partly as a polemic reply to my (admittedly unnamed) work, need not be discussed here. It suffices today to say that the problem was in the air, particularly if we analyze its background in detail in order to clarify its effect, the mixture of Marxist and Existentialist thought processes, which prevailed especially in France immediately after the Second World War. In this connection priorities, influences, and so on are not particularly significant. What is important is that the alienation of man was recognized and appreciated as the central problem of the time in which we live, by bourgeois as well as proletarian, by politically rightist and leftist thinkers. Thus, History and Class Consciousness exerted a profound effect in the circles of the youthful intelligentsia."

The Concept of Law is the most important and original work of legal philosophy written this century. First published in 1961, it is considered the masterpiece of H.L.A. Hart's enormous contribution to the study of jurisprudence and legal philosophy. Its elegant language and balanced arguments have sparked wide debate and unprecedented growth in the quantity and quality of scholarship in this area--much of it devoted to attacking or defending Hart's theories. Principal among Hart's critics is renowned lawyer and political philosopher Ronald Dworkin who in the 1970s and 80s mounted a series of challenges to Hart's Concept of Law. It seemed that Hart let these challenges go unanswered until, after his death in 1992, his answer to Dworkin's criticism was discovered among his papers.  In this valuable and long-awaited new edition Hart presents an Epilogue in which he answers Dworkin and some of his other most influential critics including Fuller and Finnis. Written with the same clarity and candor for which the first edition is famous, the Epilogue offers a sharper interpretation of Hart's own views, rebuffs the arguments of critics like Dworkin, and powerfully asserts that they have based their criticisms on a faulty understanding of Hart's work. Hart demonstrates that Dworkin's views are in fact strikingly similar to his own. In a final analysis, Hart's response leaves Dworkin's criticisms considerably weakened and his positions largely in question. Containing Hart's final and powerful response to Dworkin in addition to the revised text of the original Concept of Law, this thought-provoking and persuasively argued volume is essential reading for lawyers and philosophers throughout the world.

Abe and his friend Sol are out for a walk together in a part of town they haven't been in before. Passing a Christian church, they notice a curious sign in front that says "$1,000 to anyone who will convert." "I wonder what that's about," says Abe. "I think I'll go in and have a look. I'll be back in a minute; just wait for me."Sol sits on the sidewalk bench and waits patiently for nearly half an hour. Finally, Abe reappears."Well," asks Sol, "what are they up to? Who are they trying to convert? Why do they care? Did you get the $1,000?"Indignantly Abe replies, "Money. That's all you people care about."Ted Cohen thinks that's not a bad joke. But he also doesn't think it's an easy joke. For a listener or reader to laugh at Abe's conversion, a complicated set of conditions must be met. First, a listener has to recognize that Abe and Sol are Jewish names. Second, that listener has to be familiar with the widespread idea that Jews are more interested in money than anything else. And finally, the listener needs to know this information in advance of the joke, and without anyone telling him or her. Jokes, in short, are complicated transactions in which communities are forged, intimacy is offered, and otherwise offensive stereotypes and cliches lose their sting—at least sometimes.Jokes is a book of jokes and a book about them. Cohen loves a good laugh, but as a philosopher, he is also interested in how jokes work, why they work, and when they don't. The delight at the end of a joke is the result of a complex set of conditions and processes, and Cohen takes us through these conditions in a philosophical exploration of humor. He considers questions of audience, selection of joke topics, the ethnic character of jokes, and their morality, all with plenty of examples that will make you either chuckle or wince. Jokes: more humorous than other philosophy books, more philosophical than other humor books."Befitting its subject, this study of jokes is . . . light, funny, and thought-provoking. . . . [T]he method fits the material, allowing the author to pepper the book with a diversity of jokes without flattening their humor as a steamroller theory might. Such a book is only as good as its jokes, and most of his are good. . . . [E]ntertainment and ideas in one gossamer package."—Kirkus Reviews"One of the many triumphs of Ted Cohen's Jokes-apart from the not incidental fact that the jokes are so good that he doesn't bother to compete with them-is that it never tries to sound more profound than the jokes it tells. . . . [H]e makes you feel he is doing an unusual kind of philosophy. As though he has managed to turn J. L. Austin into one of the Marx Brothers. . . . Reading Jokes makes you feel that being genial is the most profound thing we ever do-which is something jokes also make us feel-and that doing philosophy is as natural as being amused."—Adam Phillips, London Review of Books"[A] lucid and jargon-free study of the remarkable fact that we divert each other with stories meant to make us laugh. . . . An illuminating study, replete with killer jokes."—Kevin McCardle, The Herald (Glasgow)"Cohen is an ardent joke-maker, keen to offer us a glimpse of how jokes are crafted and to have us dwell rather longer on their effects."—Barry C. Smith, Times Literary Supplement"Because Ted Cohen loves jokes, we come to appreciate them more, and perhaps think further about the quality of good humor and the appropriateness of laughter in our lives."—Steve Carlson, Christian Science Monitor

What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato’s definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol’s famous shipping cartons, which are visually indistinguishable from the everyday objects they represent.Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production.

In Rich Dad Poor Dad, the #1 Personal Finance book of all time, Robert Kiyosaki shares the story of his two dad: his real father, whom he calls his poor dad, ' and the father of his best friend, the man who became his mentor and his rich dad.' One man was well educated and an employee all his life, the other's education was street smarts" over traditional classroom education and he took the path of entrepreneurship a road that led him to become one of the wealthiest men in Hawaii. Robert's poor dad struggled financially all his life, and these two dads?these very different points of view of money, investing, and employment shaped Robert's thinking about money.Robert has challenged and changed the way tens of millions of people, around the world, think about money and investing and he has become a global advocate for financial education and the path to financial freedom. Rich Dad Poor Dad (and the Rich Dad series it spawned) has sold over 36 million copies in English and translated editions around the world. ---------------------------------------------------------------Rich Dad Poor Dad will?--------------------------------------------------------------- Explode the myth that you need to earn a high income to become rich.Challenge the belief that your house is an asset.Show parents why they can't rely on the school system to teach their kids about money Define, once and for all, an asset and a liability.Explain the difference between good debt and bad debt. Teach you to see the world of money from different perspectives.Discuss the shift in mindset that can put you on the road to financial freedom.

A New York Times Notable Book A San Francisco Chronicle Best Book of the Year Two warring factions in the Department of Elevator Inspectors in a bustling metropolis vie for dominance: the Empiricists, who go by the book and rigorously check every structural and mechanical detail, and the Intuitionists, whose observational methods involve meditation and instinct. Lila Mae Watson, the city’s first black female inspector and a devout Intuitionist with the highest accuracy rate in the department, is at the center of the turmoil. An elevator in a new municipal building has crashed on Lila Mae’s watch, fanning the flames of the Empiticist-Intuitionist feud and compelling Lila Mae to go underground to investigate. As she endeavors to clear her name, she becomes entangled in a web of intrigue that leads her to a secret that will change her life forever.A dead-serious and seriously funny feat of the imagination, The Intuitionist conjures a parallel universe in which latent ironies in matters of morality, politics, and race come to light, and stands as the celebrated debut of an important American writer.

Four works by great 19th-century Russian author: "The Nose," a savage satire of Russia's incompetent bureaucrats; "Old-Fashioned Farmers," a pleasant depiction of an elderly couple living in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," one of Gogol’s most famous comic stories; and "The Overcoat," widely considered a masterpiece of the form.

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps, a community devoted exclusively to sickness, as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

American multinational semiconductor company

American multinational computer technology corporation

agricultural cooperative based in Minnesota, United States

Return of the Obra Dinn is a first-person mystery adventure based on exploration and logical deduction....

The Sexy Brutale — a never-ending masked ball featuring intrigue, murder and the (quite possibly) occult! Relive the same mysterious day where the guests at t...

Your rapid-fire typing skills spell doom for the undead in this utterly odd, totally challenging take-off on House of the Dead 2. When you're battling zombies i...

Sam "Serious" Stone, Earth?s stud warrior, is sent back to Egypt, 3000 B.C., to fight hordes of alien monsters in this acclaimed "Doom"-sytle, back-to-basics, f...

the people are being oppressed by an all-seeing surveillance state, a corrupt private military corporation co...

Check out the birthplace of the tech revolution as Marcus Holloway, a brilliant young hacker who has fallen victim to ctOS 2.0's predictive algorithms and accus...

In the modern hyper-connected world, Chicago has the nation's most advanced and integrated computer system – one which controls almost every facet of city tec...

Harmony is realized in this alternate tale of Final Fantasy, developed by Square Enix. Not a sequel nor a prequel to the popular series, Final Fantasy Versus XI...

In Final Fantasy XIII, you will embark on a journey through the cityworld of Cocoon and the outerworld of Pulse. Along the way, you will encounter diverse allie...

A year after he and his fiance are murdered, Eric is brought back to life by a mystical crow.

In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face?

An out-of-the-way diner becomes the unlikely battleground for the survival of the human race. When God loses faith in humankind, he sends his legion of angels to bring on the Apocalypse. Humanity's only hope lies in a group of strangers trapped in a desert diner with the Archangel Michael (Bettany).

When her sister is kidnapped by white slavers, only Grandpa knows what to do. He puts in a call to a fictional hero, Jake Speed. She is amazed to find that he actually exists, and that as flesh and blood, is much less formidable than his reputation.

Ellie has been taking care of her younger brother Jimmy since their parents death. One night after picking him up from a party they are involved in a car accident on Mullholland Drive. While trying to rescue a woman from the other car a creature attacks and kills her, also injuring both Ellie and Jimmy. After some research Jimmy realizes the creature could only have been a werewolf.

2005 American horror-comedy film by Wes Craven

Lorelei and Dorothy are just "Two Little Girls from Little Rock", lounge singers on a transatlantic cruise, working their way to Paris, and enjoying the company of any eligible men they might meet along the way, even though "Diamonds are a Girl's Best Friend." Based on the Broadway musical based on the novel.

When a young couple is about to marry, the bride's parents decide to divorce. Losing faith in marriage, the young couple live together instead. After the birth of a child, they put it up for adoption. The bride's parents reconcile so that they can secretly adopt their grandchild.

Man has finally conquered the ocean. America's first self-contained undersea laboratory is the pride of the nation, and expectations are high for an elaborate undersea mining operation. What wasn't expected was the inhabitants of an undiscovered world.

The sci-fi television series "Galaxy Quest", which took place aboard the intergalactic spaceship NSEA Protector, starred Jason Nesmith as suave Commander Peter Quincy Taggart, Gwen DeMarco as sexy communications person Lt. Tawny Madison (a role which consisted solely of repeating what the computer stated, much to Gwen's chagrin), Shakespearean trained Sir Alexander Dane as alien Dr. Lazarus, Fred Kwan as engineer Tech Sergeant Chen, and Tommy Webber as child pilot Laredo. Eighteen years after the series last aired, it lives on in the hearts of its rabid fans. However, it lives on in infamy for its stars, who have not been able to find meaningful acting work since. Their current lives revolve around cashing in on however those roles will afford, which usually entails attending fan conventions or worse, such as electronic store openings. Only Jason seems to relish his lot in life, until he finds out that his co-stars detest him because of his superior attitude as "the Commander", and much of the public considers him a laughing stock. Their lives change when Jason is approached by who he thinks are convention fans asking for help. They are in reality an alien race called Thermians, led by Mathesar, who have modeled their existence after the series, which they believe to be real. When Jason and then the rest of his co-stars (along with Guy Fleegman, who was killed off before the opening credits in only one episode) go along with the Thermians, Jason's co-stars who believe they are off to yet another paying gig, they learn that they have to portray their roles for real. Without screenwriters to get them to a happy and heroic ending, they have to trust that their play acting will work, especially in dealing with the Thermians' nemesis, General Sarris. Guy in particular fears that he will go the way his character did on the series. But when they run across technical issues that they as actors didn't care anything about during the filming of the series and thus now don't know how to deal with, they need to find someone who should know what to do.

1999 science-fiction comedy film directed by Dean Parisot

Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?

A batty Scottish professor attempts to prove the existence of the Loch Ness Monster, but everyone thinks he's crazy. Meanwhile, a foolish young reporter attempts to get a scoop on the story.

A TV production crew are making a documentary about the infamous painter Mamiya Ichiro. When they start filming at his old home, they come under attack from the ghost of the painter's wife.

Tom O'Bannon, a rowdy professional wrestler, struggles to keep things afloat while living with his girlfriend, Phoebe. With Phoebe's college exams approaching quickly, she asks Tom to assist with one of her many night jobs : babysitting the always adorable Grace while her socialite parents go out for a casual evening. What begins as an average night of pizza and television quickly spirals out of control as a group of masked killers ascend on the house, looking to take the child. Unfortunately for them, tonight the babysitter isn't such easy prey.

While there, Shaggy unwittingly pulls out Excalibur from a nearby stone to cut a block of cheese and now no one is sure who the rightful ruler is. The legendary wizard, Merlin, appears and explains that the throne of Camelot must be determined through TRIAL BY COMBAT. Our heroes pull out all the stops to try and win the tournament, break the witch's hold on King Arthur, and find a way back to the present in this legendary story of Scooby Doo in King Arthur's Court.

In England, retired Royal Marine Harry Brown spends his lonely life between the hospital, where his beloved wife Kath is terminally ill, and playing chess with his only friend Leonard Attwell in the Barge pub owned by Sid Rourke. After the death of Kath, Len tells his grieving friend the local gang is harassing him and he is carrying an old bayonet for self-defence. Harry suggests he to go to the police. When Len is beaten and stabbed to death, detective Inspector Alice Frampton and her partner Sergeant Terry Hicock are sent to investigate. They pay Harry a visit but don't have good news; the police have not found any other evidence, other than the bayonet, in order to arrest the hoodlums. This mean that should the case go to trial the gang would claim self-defence. Harry Brown sees that justice will not be granted and decides to take matters into his own hands.

49th and current vice president of the United States

American author, poet, editor and literary critic

American Christian evangelist (1918-2018)

Marquette

Counter-serve chain offering Detroit-style pizza with flavored crusts, plus wings & subs.

Trowbridge Park

Casual local bakeshop offering cakes, bagels & breads along with sandwiches & specialty coffee.

Enduring shop with artisan chocolates & caramels, plus a counter doling out cafe fare & breakfast.

Homey eatery featuring traditional Finnish-style breakfasts & pastries for more than 40 years.

Houghton

Casual, bi-level outpost serving hearty New American bistro fare alongside beer, wine & cocktails.

Venerable, laid-back outpost offering meat & veggie pasties alongside sweets & baked goods.

Fried fish, microbrews & other American food & drink served in a historic building with lake views.

Sophisticated rooms, some with lake views, in a refined hotel with 2 eateries & period decor.

Quaint Thai eatery in house-style digs offering a menu of classic stir-fries, curries & rice.

Longtime restaurant & bar with a full American menu, local beers on tap & maritime decor touches.

Negaunee

Family-owned Thai eatery known for its generous portions of traditional fare & welcoming atmosphere.

Several waterfalls draw visitors to this park for woodland hikes, camping & year-round activities.

Newberry

Three very different young men - Dong Goo, the bad luck incarnate who dreams of becoming a film director, Joon Ki, an eccentric actor who performs to make a living, and Doo Shik, a freelancer writer who fiddles around doing nothing most of the time - open a guest house named "Waikiki" in Itaewon where many foreigners come to stay. Although they have no clue how to run it, they're eager to earn money to pay for the production of their upcoming film. Joined by Dong Goo's younger sister Seo Jin, who actually manages the household in Waikiki; single mother Yoon Ah, who has made an unexpected landing in the guest house with her mysterious baby; and Dong Goo's ex-girlfriend Soo Ah, they all start living together in an uncomfortable and suspicious atmosphere.

On a redeye flight to Boston from Los Angeles, 10 people wake up to a shock: All the passengers and crew have vanished. When they try to contact the ground they make no connections. They land the plane only to discover that things haven't changed, but it's like the world is dead. Nobody's there, the air is still, sound doesn't echo, the food is tasteless, and a distant sound comes closer and closer. A race of monstrous beings bent on their destruction is heading for them, eating everything in sight.

With the exception of vampires, every monster from folklore and mythology is a missing link between apes and humans, and they all seem to love Chicago. To combat the threat, Chicago PD formed Special Unit 2, known to the rest of the department as a deep-cover plainclothes unit they should steer clear of, to hunt them down and eliminate them. Officer Kate Benson, who has always been seeing things out of the corner of her eye since childhood, gets recruited into the unit when she discovers people are being kidnapped by real-life gargoyles for food and is paired up with trigger-happy Nicholas O'Malley.

A look into the daily (or rather, nightly) lives of three vampires, who've lived together for over 100 years, on Staten Island.

The Furchester family run the Furchester Hotel, with help from Elmo's and The Cookie Monster. Fun and shenanigans are always being had.

The series stars comedian Joe Pera as a fictionalized version of himself, living in Michigan's Upper Peninsula and teaching choir at a local middle school. Pera attempts to talk directly to the audience about seemingly mundane subject matter such as iron, Sunday breakfast, fall drives, dancing, sleeping, and music.

Kevin Can Fk Himself follows the story of Allison McRoberts (Murphy), a woman we all grew up believing we knew: the prototypical Sitcom Wife. She's beautiful and can take a joke (though she's usually the butt of them). And she's married to a guy who must've won some sort of marriage lottery, because she looks the way she does and he's... funny. But what happens when we follow Allison out of her husband's domain? When she finally wakes up to (and revolts against) the injustices in her life? Kevin Can FK Himself breaks television convention and blends multi-camera comedy with single-camera realism to make us ask, "who and what have we been laughing at all of these years?"

Plot kept under wraps. Described as action-packed spy series.

Series adaptation of the 2005 action film about married spies.

Julian Luna, prince of several disparate vampire, or kindred, clans in San Francisco, has his job cut out for him as he must try to keep a tenuous peace among them while not being afraid to apply ruthless justice against those who would break kindred rules. Infractions that merit "final death" include the taking of human life and changing humans into vampires who have not volunteered for the transformation.

Having survived a plane crash as a child in which all aboard, including his mother, perished, Chance Harper's every decision leads to incredible displays of luck, both good and bad. Chance tries to cope with the everyday results of his 'luck' with the help of his close circle of friends and the hope that someday he will find his long-lost brother, mysteriously taken away from his family shortly before the fatal accident.

Animated childrens show about a private detective who's only a few inches tall. Aided by some normal sized teenagers, he solves a variety of mysteries.

Johnny Vegas and Sian Gibson return to Gold's whodunit comedy caper for a new three-part original series from the minds behind Murder on the Blackpool Express, Death on the Tyne and Dial M for Middlesbrough.

Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, corrupt cops, con-men and other lawbreakers. Holbrook's squad always consisted of three detectives, and rarely were all four men on a case at the same time.

An updated version of the classic animated adventure series. After being bitten by a radioactive spider, young Peter Parker finds that he now has spider-like super powers. Hoping to use his new-found abiilties for wealth and fame, he lets his ego blind him to the needs of others, and indirectly causes the death of his uncle Ben when he refuses to help a police officer catch a fleeing criminal. Humbled by his failure, he resolves to use his talents for fighting crime, and becomes the superhero Spider-Man. While he fights assorted super-villains, Peter also must balance his personal life, including his girlfriend Mary Jane, his job as a photographer at the Daily Bugle, and a an editor who has convinced himself that Spider-man is a criminal that has to be brought down.

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